Friday, August 31, 2018

You're on an Airplane

You're on an Airplane: A Self-Mythologizing Memoir You're on an Airplane: A Self-Mythologizing Memoir by Parker Posey
My rating: 3 of 5 stars

I think Parker Posey is a hilarious actress, and parts of this book made me laugh. But the whole premise/set up of this book, that she's randomly chattering to someone she meets on a plane, is just strange, and didn't work for me, especially in audiobook form. There were sound effects, and it was weird.

I liked hearing stories about her family, living and working in Vancouver, and her adventures in acting, especially the notes about filming specific projects, like Best in Show. I wish there had been more of that, and less random musings and stories. Also, I didn't appreciate her excitement over working with Woody Allen, who I find to be suuuper creepy, and Louis CK, who has multiple sexual harassment accusations against him.

In the end, there are a few lines that stuck with me. "I had a lazy attitude for things I didn't feel were important" is a little too on-point for my comfort, and something I am working on, haha. I think my favorite quote is something Nora Ephron said to Parker: "You know Parker, you will always feel the same, you will just keep getting older." So true. I might be 37, but some days I still feel 25.

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Refuge

Refuge: An Unnatural History of Family and Place Refuge: An Unnatural History of Family and Place by Terry Tempest Williams
My rating: 4 of 5 stars

While there are things on which author Terry and I greatly disagree, I can't shake the way her words reach into my heart. She and her mother were obviously very close, and the way she links her grief over the loss of her mother with the environmental loss of bird habitat provides a new perspective of looking at both. Cancer is a beast, regardless of when it hits your family and friends, but thinking of losing either of my parents at age 55 is just heartbreaking. My dad went through the second of his three battles with cancer at 56, my senior year of high school, and if I had lost him then, I can't even imagine the person I would be now. The inevitability of losing him now, at 76, is hard enough to comprehend, and so I read.

Nature is the sanctuary in which Terry processes and heals, in the open air, with the sounds and the scents of the earth as her comfort. The solitude is soothing, and that commune with nature becomes her refuge.

Some people might think it strange or morose that I've been reading so many books about cancer journeys this year, but it has been really vital for me in processing all the various emotions about my own impending loss. Terry puts it this way: "Perhaps this is the compassion and courage that comes to us when we realize we are not alone in our suffering." I don't always have the words to explain how I'm feeling, and sometimes I don't even have the energy to try to find those words. But I can read the words of others, and see myself in them, and say, "Yes! That's it!" As Terry says, "In the act of reading, words touch our hearts, relationships are forged, we breathe a book alive."

A few other notes regarding the environmental issues Terry raises. I have no doubt that the extreme rise in cancer in Utah, specifically in Terry's family, is specially linked to nuclear testing in their deserts throughout the 50s. It's a travesty that our government decided that testing weapons without knowledge of their fallout was more important than the lives of their citizens. Moreover, the fact that they refuse to admit their culpability in the matter is unexcusable. My dad's situation is similar: there is ample reason to believe that his prostate, colon, and brain cancers are all linked to his exposure to Agent Orange while serving in Vietnam, yet the army only officially recognizes their culpability in one of those types. I would not be surprised if it is also proven in the future that my oldest sister's death from leukemia and my dad's first wife's death from uterine cancer were also linked.

The time period Terry covers in her book highlights the way the rising waters of the Great Salt Lake threatened to destroy not only the natural habit of the birds living on it and migrating through the area, but the homes and industry that we as humans have placed upon its shores. What we are facing now, though, is almost the most extreme opposite: the lake is at an all time low, receeding 22 feet in 25 years, and shrinking from 3,300 square miles to less than 950. As drought and global warming continue to worsen, how long do we have until the lake as we knew it no longer exists? Terry notes, "we will survive our personal loses; they are ultimately what give us our voice. I know they gave me mine. But the losses of the larger world-call it the pain of a grieving Earth-threaten our sanity and survival." Terry's takeaway is that we must remain engaged, vigilant, and proactive in campaigning to protect our Earth.

As I mentioned at the start, Terry's words really effected me; I think I underlined more statements in this book than I have in any other. Having gone back through my notes, here are my some of the lines that meant to most to me.

"In the same way that when someone is dying many retreat, I chose to stay."

"Restraint is the steel partition between a rational mind and a violent one. I knew rage. It was fire in my stomach with no place to go."

"It's strange to feel change coming. It's easy to ignore. An underlying restlessness seems to accompany it like birds flocking before a storm. We go about our business with the usual alacrity, while in the pit of our stomach there is a sense of something tenuous. These moments of peripheral perceptions are short, sharp flashes of insight we tend to discount like seeing the movement of an animal from the corner of our eye. We turn and there is nothing there. They are the strong and subtle impressions we allow to slip away. I had been feeling fey for months."

"You know, I hear the words on the outside, that I might have ovarian cancer, but they don't register on the inside. I keep saying it to myself, this isn't happening to me, but then why shouldn't it? I am facing my own mortality--again--something I thought I had already done twelve years ago. Do you know how strange it is to know your days are limited? It have no future?"

"In the long run I didn't think one month would matter. In the short run, it mattered a great deal The heat of the sandstone penetrated my skin as I lay on the red rocks. Desert light bathed my soul. And traveling through the inner gorge of Vishnu schist, the oldest exposed rock in the West, gave me a perspective that will carry me through whatever I must face. Those days on the river were a meditation, a renewal. I found my strength in its solitude. It is with me now."

"We wait. Our family is pacing the hall. Other families are pacing other halls. Each tragedy has its own territory."

"The curse and charisma of cancer: the knowledge that from this point forward, all you have is the day at hand."

"What is it about the relationship of a mother that can heal or hurt us?"

"I asked her if she thought my life was selfish without children. "Yes," she said. "But I'm not saying that's bad. By being selfish a woman ultimately has more to give in the long run, because she has a self to give away." "Do you think I should have a child?" I asked. "I can't answer that for you," she said. "All I can tell you is that it was the right choice for me."

"Suffering shows us what we are attached to--perhaps the umbilical cord between Mother and me has never been cut. Dying doesn't cause suffering. Resistance to dying does."

"We are all anxious, except Mother. She says it doesn't matter what they find, all we have is now."

"Why couldn't I have respected her belief that the outcome mattered less than the gift of each day. We had wanted everything back to its original shape. We had wanted a cure for Mother for ourselves, so we could get on with our lives. What we had forgotten was that she was living hers."

"I have refused to believe that Mother will die. And by denying her cancer, even her death, I deny her life. Denial stops us from listening. I cannot hear what Mother is saying. I can only hear what I want. But denial lies. It protects us from the potency of a truth we cannot yet bear to accept. It takes our hands and leads us to places of comfort. Denial flourishes in the familiar. It seduces us with our own desires and cleverly constructs walls around us to keep us safe. I want the walls down. Mother's rage over our inability to face her illness has burned away my defenses. I am left with guilt, guilt I cannot tolerate because it has no courage. I hurt Mother through my own desire to be cured."

"Death is not the enemy; living in constant fear of it is."

"It brings life into focus one day at a time. You live each moment and when you see the sunset at the end of the day, you are so grateful to be part of that experience."

"Don't be so strong, Tammy, that you won't cry when you want to. Let people help you and love you. I can't tell you how important it was for me to let people do things for me."

"Sometimes you have to totally rely on the arms, tears, and loving hearts of others, that this is truly where God's love lies, in the support of family and friends."

"I feel like a failure because I am losing my compassion. We are spent."

"A person with cancer dies in increments, and a part of you slowly dies with them."

"Faith defies logic and propels us beyond hope because it is not attached to our desires. Faith is the centerpiece of a connected life. It allows us to live by the grace of invisible strands. It is a belief in a wisdom superior to our own. Faith becomes a teacher in the absence of fact."

"But the feeling I could not purge from my soul was that without a mother, one no longer has the luxury of being a child. I have never felt so alone."

"An individual doesn't get cancer, a family does."

"Do not squander time, that is the stuff life is made of."

"Since Mother's death, I have been liberated from my optimism. I have nothing to hope for because what I hoped for is gone."

"The world is in motion. We are in motion. We have all lost loved ones. We have all danced with grief and we will one day dance with death. We embody the spiral, moving inward and outward with the loss of fear, a love transcendent, and the courage to create new maps."

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Monday, August 27, 2018

The Burning World

The Burning World The Burning World by Isaac Marion
My rating: 5 of 5 stars

SPOILERS AHEAD


Warm Bodies was the perfect little novel full of hope and new life, and can entirely stand on its own, despite that fact that it is now the first in a series. What this book, the second in the series, does is dig deeper into the messy world of "what next?" If Julie and R's relationship is real, it's not going to be perfect, and they can't ignore the way the world is changing around them and affecting them.

What is it that R actually did at the end of Warm Bodies, when he came back to life? And what does that say about the plague itself, if it can be undone? On the one hand, it's a beautiful salvation; but on the other, you're either left to die again, for good (but at least as yourself), or to live and slowly recover the memories of who you once were. Marcus seems to have gone through the darkness of rememberance and come out on the other side stronger. But I think R was resistant for so much longer because deep down, he is subconscious knew how terrible he was in the past. R is afraid not only that those he loves now might judge and hate him, but that he might revert to that terrible person. That seems to be the struggle he is constantly fighting in his own head.

As for the plague, who even invented it? Was it invented, or did it form naturally somehow? This book opens up questions we didn't even know where there - who is actually at the head of Atvist now, and who is this "we" that is so connected to so many of the characters. Is it the same "we" that was talking to R and Julie as Executive in the Tower? R's demise seems almost to have been planned, perhaps by his grandfather, perhaps by someone else - why else would that older zombie pilot have been planted on his plane? Is R's grandfather alive still, some how?

The kids are a real puzzle as well. They all see to have a special connection with one another and also with the unknown "we." What is up with Sprout's magic eye? And what happened with Jane and X that was so overwhelming that R abandoned them after they had shown so much progress? And the most mysterious kid, whom I can only call Rover: who exactly is he? He seems to be the key to figuring out who "We" is, because they declare he is their best connection to the world. Part of me thinks he's somehow related to R, but maybe not.

As for R's real name, which is apparently super hippie: PLEASE don't let it be Rainbow.

I really hope there is a third book. I follow Isaac Marion on social media, and he's been very vocal about how the sales of this book will influence the potential publication of the 3rd one, which is mostly written, I believe. It sounds like even if a major publishing house doesn't pick it up, he plans on self publishing it, but this series deserves more than that, so I hope it can happen. My hope is that maybe the third one coming out can become a box set reprint of the other books as well. Either way, I'm all in. Regardless of how much is still up in the air at the end of this book (which I normally hate in book series), I love Marion's writing, and I am here until the end.

Here are a few of my favorite lines from this book, which is amazingly quotable.

"Embarrassment is just one of the many perils I accepted when I made the choice to live. Living is awkward. Living hurts. Did I ever expect otherwise?"

"We are an asthmatic orphan and a recovering corpse, driving a rusty car into a rabid world."

"So it's a tease? They come back to life just long enough to finish dying?" - Julie

"The plague's not immortality. It doesn't sustain life, just protracts death." - R

"Have I missed something? What I just saw was gruesome and tragic, yes, but also beautiful. I saw a woman pull herself out of her grave and climb up to whatever's next. I saw a woman save her own soul. What did they see?"

"If death is what I want, then nothing can ever hurt me."

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Sunday, August 26, 2018

Kristy's Great Idea

Kristy's Great Idea Kristy's Great Idea by Raina Telgemeier
My rating: 5 of 5 stars

I was obsessed with the BSC when I was a kid - it was the series that I would rush into the bookstore for, in case there was a new book out, and I still have all my books of them at home somewhere. I had heard the series was out of print, but now that there are new graphic novel versions, a whole new generation of kids can get to know and love them, including my 8 year old niece Ella, who told me this is her favorite book. Hearing that makes my heart happy.

The challenge of family and friendship that these girls go through are still relevant in today world, and so I hope these graphic novels continue to be created. I'll admit that I was happy to see that the setting wasn't modernized - there are no cell phones, the girls still wait around a landline for their babysitting calls to come in. Hopefully kids today can learn about connecting to one another in less digital and immediate ways. Claudia's adventure watching Jamie Newton and his wild cousins seems particularly relevant - she didn't try to force them into listening to her, she ignored them and read quietly with Jamie until they came over to investigate.

All of these stories are relatable - how to navigate a blended family, negotiating with overprotective or strict parents, accepting without question a friend who has an illness or any kind of physical constraint. I'm glad this is the series my niece has latched on to.

And now I'm off to find my books so she can read them, too. She would especially love my favorite, super special #1, where the girls and their families go to Disney World and on a Disney cruise!

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Saturday, August 25, 2018

El Deafo

El Deafo El Deafo by Cece Bell
My rating: 5 of 5 stars

An adorable book about learning to accept and celebrate the ways we are different from others. This is one of my niece Maya's favorite books, and it's easy to see why. The art is super cute, the message is clear. It's ok to be different, and as you get older and figure out who you are, you'll feel more comfortable and confident in sharing your true self with others, and making real, lasting friendships.

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Death on the Nile

Death on the Nile Death on the Nile by Agatha Christie
My rating: 5 of 5 stars

A thoroughly enjoyable, fast-paced mystery. Having cruised down the nile, and been to many of the locations mentioned, I found the setting particularly enjoyable. I was partially right on my first guess of murderer, I just couldn't figure out how exactly they'd pulled it off. I've been meaning to read an Agatha Christie book for years, and now I can't wait to read more!

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Monday, August 20, 2018

Ask Baba Yaga

Ask Baba Yaga: Otherworldly Advice for Everyday Troubles Ask Baba Yaga: Otherworldly Advice for Everyday Troubles by Taisia Kitaiskaia
My rating: 4 of 5 stars

A quirky, funny advice book that, with it's concise yet poetic language, reaches through to the core of important life questions and forces you to examine your own heart, mind, and feelings. The rich imagery provides a backdrop to rethink your issues and see them from a new angle. I also love the styling of the book, and it's lovely illustrations.

Here are a few of my favorite lines.

"Everyone dies, alone in their own cauldron--yr death will be no more or less gruesome than any other's. & happiness is a thing that passes through you, not a thing you meet & hold in yr deathly grip for ever afterwards. You are afraid; of being the last at a party without the others, but the others have gone on into a wood they do not understand. It is the same wood you stand in, weeping. & the trees look at all of you the same, & say nothing."

"You feel he is the cub you helped raise, & his fur you love even as you don't wish it near you. ; So when he goes out yonder to eat his fill you anger that he can wander so easily & find what he seeks without you. ) Stare into the black puddle where he left his paw print, stare & mourn a little, let yr grieving mix with that abandoned water & drink it all down, the loss of him & the loss of you, too, a little, for he raised you also."

"No one pays attention to a quiet creek ; likely few have noticed yr still surface. & those who have & who love you will stand near & know you in yr new way, as long as it lasts.) They, will be the ones who matter. But do not flail & gasp on their account--you will only swallow water, & drown deeper. :Look to see what, it is that pushed you down,& hold yr breath for now."

"Breakage is a violence & a doing yr soft body cannot take. Why ruin the shell that protects you, that is yr home? , Rather, find in the forest a tender moss patch, one where there is water & a good feeding, where safe others sometimes go. Slip from yr shell (but keep it close)--nibble on a green thing. Look in the eye of a friendly creature. Retreat into yr shell. ; Do this every several days. It is the reaching for what is tasty that will coax you out; there must be no shattering."

"The sun is a miracle of heat and light. Be curious about this. ;The moon is Earth's constant companion, a shadowy thought which Earth keeps thinking--this dark body follows us eternal. But Sun is much greater, it places Earth. To be sunny is not to sew yourself a gold, cold garment.. It is to know the sun's necessity for our living. Do not fret, the moon will never leave you."

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Monday, August 13, 2018

The Old Man and the Sea

The Old Man and the Sea The Old Man and the Sea by Ernest Hemingway
My rating: 2 of 5 stars

I know this is a "beloved classic" but honestly, I was pretty bored most of the time. I felt bad for the old man and his unluckiness, and his diametric love for and drive to kill the fish was interesting, but the fish chase drug on sooooooo long, despite it being such a short book. The sadness of the shark attacks at least brought with them some excitement, and I'm glad the old man held on to hope and kept fighting - he certainly did have people at home who loved him and missed him. I actually would have preferred to hear more of the old man and the boy's relationship, and less of his solitary hunt. Oh well.

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Ok, now that I have been reminded that this is on the Lost Lit List, I find it a bit more interesting, and I wish I had remembered that when I was reading. There are definitely some comparisons you can make - an epic battle against nature, and survival through hope come to mind. *Maybe* some day I'll re-read it, with that in mind. But don't hold your breath. ;)

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Everything, Everything

Everything, Everything Everything, Everything by Nicola Yoon
My rating: 4 of 5 stars

SPOILERS AHEAD


I feel like I can't objectively review this book because I saw the movie first, and so a lot of the emotional tension was removed by knowing the big lie. I knew Madeline wasn't sick. So when Maddy risks everything, her whole life, to go outside, and go with Ollie to Hawaii, instead of feeling the excitement and terror of that trip, I knew she'd be fine. Instead of feeling her love and desire to live a full life, I was just waiting for her to get to the moment when she would know the truth.

I do believe this book is worth reading, and I'm sure there are lots of people for whom it wouldn't matter that they knew the truth. I enjoyed the writing, and believe that love can push you to do incomprehensible, magical things. Maddy and Ollie's love felt natural and organic, and I am glad that the book ended happily. After all the crap Maddy went through in her life, she deserves a happy ending. After much therapy, both for her and her mom, I hope Maddy can forgive her, and they can one day build up the trust they once had.

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Friday, August 10, 2018

A Court of Frost and Starlight

A Court of Frost and Starlight A Court of Frost and Starlight by Sarah J. Maas
My rating: 4 of 5 stars

I love these characters, and I love reading about them, but this was pretty short, and with not really any conclusions, it would have made more sense to include parts of this in the upcoming 4th book in the series. Unless that book is going to be primarily focused on Cassian and Nessa (which the sneak peek seemed to hint at), and it would have been out of place to include Feyre's journey with her creative purpose, which in my opinion is the best part of the book. I love that Feyre is trying to find a way to process the terrible things she's gone through via her art, and also that she decides to reach out into their community to help kids who might be dealing with similarly difficult issues.

Nessa. Ugh. I get that she's been through a lot, but so has Elain, and so has Feyre, and they're still trying at least. I feel bad for Cassian, because he's clearly trying, despite not getting anything back from Nessa since the battle.

The Lucien-Elain-Azriel-Morrigan love square is a confusing configuration and I'm can't really figure out how that's going to play out. Mor has been dealing with the fallout of her torture for years, but is it too late for a chance with Azriel now? And what's up with Azriel and Elain's mutual affection? How does Lucien and his mating with Elain play in to things?

The character I'm ready to see the end of most is Tamlin. Seriously. His morose self-pity is so depressing to watch.

I'm ready for book 4, whatever it brings, whenever it brings it!

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Thursday, August 9, 2018

Not That Bad

Not That Bad: Dispatches from Rape Culture Not That Bad: Dispatches from Rape Culture by Roxane Gay
My rating: 5 of 5 stars

Real and heartbreaking and unapologetically honest. This book of essays doesn't pull any punches, and should be required reading for both men and women. The only way we can attempt to break the cycle of sexual violence and rape culture is by facing it head on and acknowledging the way it has shaped who we are. As editor Roxane Gay explains in her introduction, this anthology is "a place for people to give voice to their experience, a place for people to share how bad this all is, a place for people to identify the ways they have been marked by rape culture."

I appreciate the wide variety of experiences chronicled in these essays. Like many of the essayists, when I compared the things I've experienced in my life with those mentioned in this book, I constantly found myself thinking, "wow, at least that didn't happen to me." And I really *haven't* had anything major happen in my life. But isn't that the whole point of these essays? You can't compare your experiences with anyone else's and deny yourself the right to your own feelings and reactions. Just because you haven't gone through the worst life has to offer doesn't mean you don't deserve the right to claim your trauma, to recover as you feel necessary. Your grief does not invalidate or steal from any one else's.

In The Ways We are Taught to Be a Girl by xTx, she walks us through specific lessons she learned growing up, because she was a girl, and what her takeaway was from each horrific lesson, each with a score that builds and grows the older you get and the more those lessons are ingrained in you. "A woman who is, at her core, not good enough, tarnished." "If they want it, they can take it. What you want or don't want is irrelevant." "If I was a good girl, I would've left. I didn't do anything. I let him. I let him. I let him. I. Let. Him. My fault." "If you do nothing, it's your fault. Even if you are a child. Even if you are scared." "You are not a treasure." "You wanted it and he knew it." And xTx still thinks, "I got off easy." Yet her reflections on those times, as she meets other women and learns of their experiences, have led her to the realization that everything she learned as a child was not "what you get for being a girl." Instead, "None of this was supposed to happen. Didn't have to happen. I wasn't supposed to have a score. None of us were."

In Zoë Medeiros' essay Why I Stopped, she discusses how differently people can process their trauma. Talking about what happened to her didn't help her, but there were a lot of other things that did, from watching specific tv shows to reading other people's stories. Eventually, she realized that "not telling my story doesn't mean it didn't happen. I don't have to be open about my experiences, about all of them or even any of them, to be a real survivor. I am a real survivor because I survived, even if some days it feels like I didn't survive at all." It's not anyone else's business, and no one else's place to decide what your experiences mean to you, and YOU are the one who gets to decide what you share. "You don't owe anything to anyone. Your story is not the currency you exchange for love, for understanding, for getting what you need."

In the same vein, Stacey May Fowles writes in To Get Out From Under It: "It seems that, if something makes you feel better, it is a healthy option. Want to sleep all day? That's okay. Drink too much? That can be a valid coping choice. Isolating yourself via a fear of the outside world? Self-preservation is important." My biggest take away is this: be kind to yourself. Allow yourself the space you need to process, to heal, to survive. And that's good advice for dealing with anything life might be throwing at you, whether it be sexual violence, depression, or a death of a loved one. Be as kind and generous to yourself as you would be to your best friend.

Once again, I encourage everyone to pick up this book. Yes, it is difficult to read at times. It might be even more difficult for you to read than it was for me. But it will hopefully be worth it. And I'll leave you with a few more quotes to help convince you.

"I was angry beyond belief, but I had nowhere to put that anger. The shelves of my heart were full." - All the Angry Women, Liz Lenz

"The surfaces of my empathy became calloused." - Introduction, Roxane Gay

"I didn't want to be a part of their mourning. I didn't want to be involved in someone else's grief when I knew so little about how to deal with my own." - Spectator: My Family, My Rapist, and Mourning Online, Brandon Taylor

"I know what it's like to feel invisible as a child and I imagine it feels the same as an adult. But it's a pretty sorry situation when the choice is either objectification by intimidating strangers or invisibility." - The Luckiest MILF in Brooklyn, Lynn Mellick

"H. says, "I'm here to listen if you want to tell me." And then, "If you don't want to speak, I am still here."" - & the Truth is, I Have No Story, Claire Schwartz

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Wednesday, August 8, 2018

Joseph Anton

Joseph Anton: A Memoir Joseph Anton: A Memoir by Salman Rushdie
My rating: 3 of 5 stars

It was while reading I Am Malala earlier this year that I first heard that Salman Rushdie had a fatwa against him for many years after the publication of The Satanic Verses. Years ago, I had read Haroun and the Sea of Stories and loved it, and so I had placed several of his other books on my to-do list, though I had never gotten around to reading them. Malala's brief mention of Rushdie's fatwa made me curious about his backstory, so I downloaded his memoir to listen to next.

Salman's story is indeed quite fascinating, and I pity him for the life of seclusion he was forced to live for so many years. I agree that literary expression should not be censored just because people don't like what one has written, or find it offensive. In the end, it's just a book, and if you don't like it, no one is forcing you to read it. There's lot of books out there that I find personally and morally offensive, but I don't think they should be burned, or their authors murdered.

As for the writing of this book, the prose is certainly compelling and beautiful, though I still find it a bit odd that he wrote his own memoir in the third person. I feel like choosing to use that particular narrative device gave himself as the author some distance from himself as the character, and also provided a feeling of objectivity of the account that we don't always believe of personal remembrances. Everyone remembers events differently, and the use of the 3rd person narrator implies facts and objectivity where in actuality we have memories and subjectivity. I wonder how each of his wives (all of them now ex-wives) would describe these same events, and who would seem a more reliable narrator, Salman or the women. Marianne in particular is not described in particularly kind terms, and I'm left with the general impression that she is an unstable, compulsive liar, who only married Salman because he was rich and famous, and never really loved him. Is that true? Or just how Salman remembers things? What about the odd way he described Padma Lakshmi, now of Top Chef fame? From what I hear, her memoir is not very kind to him, either.

I particularly enjoyed the sections where Salman described how he crafted and created each book. He clearly loves writing and these works become like children to him. The thought and care and work that goes in to each one is fascinating. Haroun and the Sea of Stories is one of my favorites, and I loved hearing how his son encouraged him the write it, and helped him along the way. I completely understand why he refused to change anything in it for the publishers - how could he ruin what was a special, unique gift for his son?

There were also sections that were so detailed that they became repetitive and tedious - I'm not sure we needed to know about every house change, and every conversation between every person Rushdie ever spoke with, and the back and forth and back and forth and back and forth of what was negotiations with Iran and then what wasn't and so on. Clearly Rushdie had major issues with the way the British government handled the fatwa, the negotiations with Iran (or lack there of), his persecution in the press, and his protection.

I did appreciate how much he lauded his many friends for supporting him and helping him out so graciously over the years. His effluent praise was so frequently that I have to think that he wasn't just keeping a journal during this time, he must have been taking meticulous notes of where he went and who he saw and what happened each and every day. How was he moving these journals around with him? Did he ship them off to his agent for safekeeping? Did friends store them for him? I'm not sure he would have trusted anyone not to try to read them. His journals also never forgot a slight against him, and he chronicled each of those, as well, calling out people who hurt and offended him.

In the end, the book was just too long by a mile, and could had benefited from a drastic editing process. By the time I made it halfway through, I just wanted things to move along, but I knew I still had a ways to go, so I tried to push through as fast as I could. Maybe that's the primary drawback to an audiobook - you can multitask and listen while you're doing other things, but it's much harder to "skim" when you get to a section you're not as interested in. If I could pull out just parts about writing, I would recommend that book to everyone. As it is, I would have to say that, despite being glad that I read it, I would only recommend this book to big fans of Rushdie, or those interested in middle eastern culture, politics, and religion.

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Sunday, August 5, 2018

The Elementals

The Elementals The Elementals by Michael McDowell
My rating: 4 of 5 stars

SPOILERS AHEAD


A super-atmospheric horror story that is more frightening and insidious than any normal crime fiction could possibly be. This book creeped me out so hard that I had to stop reading it at night. Even in the light of day, I was getting shivers. I think that's a testiment to how well it's written. I honestly don't even want to write a long review because even thinking about it is creepy, haha.

It would be nice to think that the Elementals, whatever they truly are, were destroyed with the destruction of Beldame, first by fire, then by storm. But India's pronouncement at the end, that Leigh's babies were Savages, not McCrays, plus the creepy story about the mother buried alive who ate her dead baby (ugh gross) makes me think the Elementals are unbreakbly linked to the Savage family itself, and they will never be able to outrun them in the end. Eeeeeeek. 😳😱

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